1
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I don't think I've been in this house alone more than 10 times in my whole entire life.

2
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There was this tall man standing in the fireplace looking in the mirror.

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He was saying I fall down, go boom.

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Why are you still here?

5
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If you don't answer this question, then it...

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Could you make that noise for me again?

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My name is Ryan and I'm a paranormal investigator.

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When I was a kid, my experiences with the supernatural terrified me and I've been searching for answers ever since.

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So when I got to Penn State, I realized I wasn't alone in my quest.

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So I founded the Paranormal Research Society, dedicated to helping those who were haunted like I was.

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We are students. We are seekers.

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And sometimes we're warriors.

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And each time we help someone, I feel like I'm one step closer to finding the truth.

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This is Paranormal State.

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Welcome to Massachusetts.

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Surgey has a case he has been working on for the past week or so.

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We essentially have a client named Sandy who has grown up in this house since she was what, 10 years old?

18
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She no longer lives in the house. The parents still own it, but they hardly spend time in there.

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So Sandy takes care of it while her parents are gone and they spend most of their time somewhere else.

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They're fixing the cell to house.

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Now for Sandy, she is emotionally connected to something there.

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They moved in in 1965. The minute she got in there at age 10, she and her sister said they've explained something in the bedroom.

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They've heard sounds. The doors flew open.

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From what she thinks, the entity's name is Edward.

25
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Did Edward ever come out and say my name is Edward?

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Bad out of nowhere.

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I want you guys to put your detective hats on and go out there and try to find out what's going on with the history of the property

28
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is if there's anything there and who this Edward person is.

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Hi Sandy.

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Hi.

31
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Nice to meet you.

32
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I'm so happy to have you come.

33
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Well, thank you very much. We're happy to be here. Surgey.

34
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Oh my god, I can't believe you're here.

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This is the place where my brother Ricky and Lisa, we heard this hissing noise coming from in here.

36
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So we were like, oh god, we better go out and check where the only one's home.

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The TV was right there, was not plugged in and it was on.

38
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This is the closet that all my sisters still have nightmares about.

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When we were kids, this door rattled like this and then fly open.

40
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It's just a room that nobody wants to go in.

41
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This is where I saw the entity solid.

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He was walking around my mother's room dressed almost like an Abraham Lincoln kind of, that dark kind of a suit and he was very tall, but it was like the dark suit was so prevalent.

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I was sitting on the couch and the fireplace is over here to the right and I just happened to look up at the fireplace and there was this tall man standing in the fireplace with his arm on the mantel and looking in the mirror.

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I looked over and he had the old clothes on, black suit with a black top hat.

45
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Were you startled when you saw him?

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Oh god, yeah, I froze because it does scare you. I don't care who you are, something like that scares you.

47
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I don't think I've been in this house alone more than ten times in my whole entire life.

48
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Really?

49
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And even when I've come back, I've had experiences. We stayed here for Christmas and I woke up like this and I opened my eyes and somebody reached over and I was like, oh my god, I'm scared.

50
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I threw into my ear and said, we know your name. When he whispered that it was not with a nice voice.

51
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I don't think you try to scare people when you're not in some way evil.

52
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The thing that I remember the most is the closet door in the bedroom.

53
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There was one instance in the middle of the night in the dark it threw a quarter and it came out at me and smacked me in the face and I said, f*** you.

54
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It's plain as could be and it sounded like a man's voice angry.

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Your siblings, they all seem to have different opinions about this than your own.

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I just feel there's more of a bond than I have a bond that they don't have. They're still afraid of him. He's like still an unknown to them.

57
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Why did you ask us to come here?

58
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Because my parents are getting older and if something happens in the house, it does change hands.

59
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You know, it's that feeling like I feel like my time is running out to help him.

60
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Have you done any research on the property or who the previous owners were?

61
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No. No.

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Why do you call him Edward?

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Because I had a dream about Edward and it was in this room. It looked just like it did when we were kids and he was talking to me out in the hallway and he was crying.

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It was an incident where my father said he was going to get up on the roof and fix something and Sandy had like a dream that somebody was saying, don't let your father go on the roof.

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Don't let your father go on the roof.

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Please don't have your father go up on the roof. Please don't have your father go up on the roof.

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And I freaked out because I never had a dream with Edward in it. I can't explain that.

68
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You know, those are one of those things that you just question. You know, could he have a message for me?

69
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I just don't know.

70
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So I haven't told you anything about this?

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No.

72
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I just told me this is the one. This is the main room.

73
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I was wondering why you walked straight in here.

74
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Yeah, when I was at the stairs, they said go to the first room on the left.

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What are you picking up with this room?

76
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I know I'm hearing bangs, knocking.

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I definitely think there's a man here. I think there's a man.

78
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There's a man who lived here who kept saying to me, I live here. I live here.

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He might not be connected with your family. He might be from before.

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That's the person who is sometimes felt seen around the house. Do you understand?

81
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Yes.

82
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I don't know what 1885 means. It could be connected to when this place was built.

83
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And a P name that came after that, which seemed to me to be a last name. Okay?

84
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Okay, because I don't know of anybody.

85
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Don't worry. Don't worry.

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I just felt this. You see.

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He fell off the roof.

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Oh my God.

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Okay.

90
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Don't have your father go up on the roof. Don't have your father go up on the roof.

91
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I don't know what 1885 means.

92
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And a P name that came after that, which seemed to me to be a last name.

93
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I just felt this. You see.

94
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He fell off the roof.

95
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Oh my God.

96
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Okay.

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Are you serious?

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No.

99
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Are you serious?

100
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No.

101
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Are you serious?

102
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No.

103
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Are you serious?

104
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No.

105
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Oh my God.

106
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Very serious.

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Because there's a sense of moving, you see.

108
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And then bam.

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Oh my God.

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That was very clear.

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Director's log.

112
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The medium's reading seems consistent with Sandy's experience in the home.

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I'm sending Elphi to research the history of the property.

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As it turns out, a previous owner dating back to the 1880s was a man by the name of Pond.

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First name, Edward.

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But even more shocking is how he died.

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He was up on the ladder, putting shingles up.

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And the liar slipped, went down.

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He went down and hit the ground and hit the hammer.

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And then they picked him up, took him into a house.

121
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Called the local doctor.

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He came in and then he expired in the house.

123
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Edward died on this property?

124
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Yes.

125
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I'd like to talk to you more about some other things.

126
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Um, Sandy, we have the death certificate of a man who lived here.

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His name was Edward Pond.

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Oh God.

129
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Oh God.

130
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Oh God.

131
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Oh my God.

132
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Could this be?

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The other thing too, Sandy, is, um, he did die by falling off the roof.

134
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Oh my God.

135
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It's so weird when you said that, because when I cleaned up the attic and came back in a few days,

136
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I go up the stairs and there's this wooden box just sitting there.

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And I'm like, oh, I'm going to get out of here.

138
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And I came back in a few days.

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I go up the stairs and there's this wooden box just sitting there.

140
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And I'm like, where the hell did I come from?

141
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Because it wasn't there before.

142
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And it was just an old wooden box and inside is lined with like 1885 paper.

143
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You can barely see a date on the side.

144
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You know what I mean?

145
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Because that was the first thing I was looking for.

146
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What's the date on the box?

147
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But the strangest thing was, is there was a piece of a comic that was torn out.

148
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And there it was just sticking out.

149
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Half of it you could see, half of it you couldn't.

150
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And it said, I fall down, go boom.

151
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I can't explain that.

152
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You're saying that when you came up there, there was a comic strip on top.

153
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I fall down, go boom.

154
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Do you have a copy of this?

155
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Yes, I do.

156
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And I fall down and go boom.

157
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And I can't explain that, you know.

158
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And then to find that's how Edward died, he fell off a ladder.

159
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Oh.

160
00:11:24,200 --> 00:11:26,200
Is it a man or a woman?

161
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It's a man.

162
00:11:27,200 --> 00:11:28,200
It's a man?

163
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Is he old or young?

164
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He's an older man.

165
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I would say in his 60s.

166
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I really see mostly his eyes are very intense.

167
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He has dark eyebrows.

168
00:11:49,200 --> 00:11:50,200
Yes.

169
00:11:53,200 --> 00:11:54,200
Missy?

170
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The eyes are just the most important part of him.

171
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So to me the eyes are dead on, because he just stares at you.

172
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When I see his face like that, it really does look like that.

173
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But those eyes are perfect.

174
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Oh my god.

175
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This is creeping me out.

176
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Director's log.

177
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Overnight surveillance reveals Sandy spending an unusual amount of time with the sketch.

178
00:12:25,200 --> 00:12:31,200
I'm sending Heather out to ask Sandy's siblings more about this relationship she has with Edward.

179
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I was very worried this morning.

180
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Why?

181
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Because she was fixing the sketch.

182
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And she was telling me that she woke up feeling,

183
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it wasn't that she needed to fix the picture.

184
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It was just that she was not going to fix it.

185
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And she was telling me that she woke up feeling,

186
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it wasn't that she needed to fix the picture.

187
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It was that someone else was telling her to change the picture.

188
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She kept hearing that?

189
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Like that's what she woke up to and she had to immediately go to the picture.

190
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It was almost like the spirit was using her to fix the picture.

191
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So she was feeling his emotions.

192
00:13:07,200 --> 00:13:10,200
What's your biggest fear out of all this?

193
00:13:10,200 --> 00:13:12,200
He'll leave.

194
00:13:12,200 --> 00:13:14,200
Wouldn't that be a good thing?

195
00:13:14,200 --> 00:13:16,200
But you don't want him to.

196
00:13:16,200 --> 00:13:18,200
It's like, it's a bittersweet thing.

197
00:13:18,200 --> 00:13:20,200
I can't even explain it.

198
00:13:20,200 --> 00:13:23,200
It's like you want somebody to move on.

199
00:13:23,200 --> 00:13:27,200
But then there's that part of me that doesn't want him to, which is really odd.

200
00:13:27,200 --> 00:13:29,200
But I don't want to be the reason he's being here.

201
00:13:29,200 --> 00:13:33,200
I hope to God I'm not one of the reasons why he's staying here.

202
00:13:33,200 --> 00:13:35,200
Director's log.

203
00:13:35,200 --> 00:13:41,200
If Sandy is the reason Fred was sticking around, we'll need her help to contact him.

204
00:13:41,200 --> 00:13:46,200
So we've asked her to participate in Dead Time as the first step in getting Edward to pass on.

205
00:13:46,200 --> 00:13:51,200
Sandy and I will be in her old bedroom while Heather attempts communication alone in the basement.

206
00:13:51,200 --> 00:13:54,200
Dead Time has officially commenced.

207
00:13:56,200 --> 00:14:02,200
Alright Sandy, whatever's here, you have a connection with.

208
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I'd like for you to try to ask for the spirit to present itself.

209
00:14:07,200 --> 00:14:09,200
Okay.

210
00:14:10,200 --> 00:14:13,200
You know I won't be in this house forever.

211
00:14:13,200 --> 00:14:16,200
I don't want to leave you here behind.

212
00:14:16,200 --> 00:14:20,200
I need you to make your presence known.

213
00:14:20,200 --> 00:14:25,200
I am attempting spirit communication with whatever may be here.

214
00:14:27,200 --> 00:14:29,200
What was this once your house?

215
00:14:31,200 --> 00:14:33,200
Did you die here?

216
00:14:33,200 --> 00:14:35,200
Here.

217
00:14:37,200 --> 00:14:40,200
Please show yourself in some way.

218
00:14:40,200 --> 00:14:48,200
You can open up that closet, just swing it open or make a loud knocking sound on the wall.

219
00:14:58,200 --> 00:15:00,200
Okay, I just heard a noise.

220
00:15:00,200 --> 00:15:05,200
Hey Ron, just so you know, Heather is hearing some noises in the basement over.

221
00:15:05,200 --> 00:15:07,200
Okay.

222
00:15:07,200 --> 00:15:10,200
Are you down in the corner in that cellar?

223
00:15:12,200 --> 00:15:16,200
He's coming. I think out there.

224
00:15:16,200 --> 00:15:23,200
So, I'm gonna walk out there, see if I can get anything.

225
00:15:26,200 --> 00:15:28,200
I'm walking into the other room.

226
00:15:31,200 --> 00:15:34,200
Could you make that noise for me again?

227
00:15:35,200 --> 00:15:38,200
I just get a feeling that he's scared.

228
00:15:38,200 --> 00:15:41,200
I feel like he's in a corner somewhere.

229
00:15:42,200 --> 00:15:45,200
Come out of the corner and come upstairs.

230
00:15:49,200 --> 00:15:52,200
The floor is creaking above me.

231
00:15:55,200 --> 00:15:57,200
Somewhere on the stairs.

232
00:15:58,200 --> 00:16:00,200
I know, I just heard that.

233
00:16:01,200 --> 00:16:06,200
It's coming from right out in the hallway, whatever's above that.

234
00:16:06,200 --> 00:16:08,200
What's right above that?

235
00:16:08,200 --> 00:16:11,200
She's hearing it towards the stairway.

236
00:16:14,200 --> 00:16:17,200
Hey, Ron, there's nobody on the stairs.

237
00:16:20,200 --> 00:16:22,200
Do you feel him up here, Sandy?

238
00:16:22,200 --> 00:16:26,200
Just for a second I thought he's just kind of standing there watching us.

239
00:16:26,200 --> 00:16:29,200
Is your name Edward Pond?

240
00:16:32,200 --> 00:16:34,200
Why are you still here?

241
00:16:34,200 --> 00:16:38,200
If you don't answer this question, then...

242
00:16:43,200 --> 00:16:44,200
Did you hear that?

243
00:16:44,200 --> 00:16:45,200
Yeah.

244
00:16:45,200 --> 00:16:46,200
Oh, it was a...

245
00:16:46,200 --> 00:16:48,200
Josh, did you hear that?

246
00:16:50,200 --> 00:16:52,200
Is that you making that sound?

247
00:16:53,200 --> 00:16:56,200
Can you hear that high-pitched, like grinding sound?

248
00:16:56,200 --> 00:16:58,200
It's so high.

249
00:17:12,200 --> 00:17:15,200
Is that you making that sound?

250
00:17:15,200 --> 00:17:18,200
Can you hear that high-pitched, like grinding sound?

251
00:17:18,200 --> 00:17:20,200
It's so high.

252
00:17:23,200 --> 00:17:26,200
Are you trying to communicate with us?

253
00:17:28,200 --> 00:17:30,200
What the hell is that?

254
00:17:30,200 --> 00:17:31,200
It stopped.

255
00:17:31,200 --> 00:17:33,200
Can you make that sound again?

256
00:17:33,200 --> 00:17:35,200
If you made that sound?

257
00:17:35,200 --> 00:17:37,200
That's a creepy sound.

258
00:17:37,200 --> 00:17:41,200
I just get this sense of him hiding somewhere.

259
00:17:43,200 --> 00:17:45,200
Are you back there?

260
00:17:46,200 --> 00:17:49,200
I just hate to...

261
00:17:49,200 --> 00:17:53,200
Sandy, why are you inching closer and closer into the closet?

262
00:17:53,200 --> 00:17:55,200
I'm in here.

263
00:17:58,200 --> 00:18:00,200
Are you afraid of leaving?

264
00:18:02,200 --> 00:18:04,200
Sandy, why are you connected with Edward?

265
00:18:04,200 --> 00:18:06,200
I don't know.

266
00:18:06,200 --> 00:18:09,200
He feels like part of the family.

267
00:18:09,200 --> 00:18:14,200
Sometimes you can keep the spirit realm from moving on.

268
00:18:14,200 --> 00:18:19,200
It's almost like you kind of are our reason for them to hang around.

269
00:18:19,200 --> 00:18:21,200
It's time for him to move on.

270
00:18:21,200 --> 00:18:24,200
It's so hard. I don't know why.

271
00:18:24,200 --> 00:18:28,200
It's like losing a family member right before your eyes.

272
00:18:39,200 --> 00:18:44,200
It's now clear to me that in order for Edward to move on, Sandy must let him go.

273
00:18:44,200 --> 00:18:49,200
Because the family is Catholic, I've called in a priest to help.

274
00:18:49,200 --> 00:18:55,200
I think the important thing is that when someone that we've become attached to,

275
00:18:55,200 --> 00:19:00,200
we want to have those person be where they should be, and that's to be with God,

276
00:19:00,200 --> 00:19:03,200
and their memory always in our hearts.

277
00:19:03,200 --> 00:19:06,200
So, I think that's the most important thing.

278
00:19:06,200 --> 00:19:09,200
And their memory always in our hearts.

279
00:19:09,200 --> 00:19:14,200
So, what I think would be good is to bless the house so that he goes to be at peace with God.

280
00:19:16,200 --> 00:19:22,200
That's all that I've ever wanted for that particular soul was just to find peace.

281
00:19:22,200 --> 00:19:27,200
That's a beautiful gift. You can thank God that you're chosen for that gift.

282
00:19:29,200 --> 00:19:33,200
Therefore we ask your eternal Father in the name of your son Jesus

283
00:19:33,200 --> 00:19:37,200
that any evil committed in this house be washed and cleansed

284
00:19:37,200 --> 00:19:40,200
through the precious blood of our Lord Jesus Christ.

285
00:19:40,200 --> 00:19:46,200
We command all evil spirits to leave at once so that now we can pray for these inhabitants,

286
00:19:46,200 --> 00:19:49,200
these souls to be with God.

287
00:19:49,200 --> 00:19:54,200
Edward, on we set you free, and I ask that the Holy Angels escort you now

288
00:19:54,200 --> 00:19:58,200
to go without loving God. Amen.

289
00:19:58,200 --> 00:20:00,200
I'm going to keep it.

290
00:20:13,200 --> 00:20:18,200
When we went up in that room, by doing that blessing, it was really like closing a door.

291
00:20:18,200 --> 00:20:22,200
And it was really hard, but I had to do it.

292
00:20:22,200 --> 00:20:24,200
It was like that was the first step for me.

293
00:20:24,200 --> 00:20:28,200
And I needed help to be able to move on because I could not do that myself.

294
00:20:28,200 --> 00:20:30,200
It just was not strong enough.

295
00:20:30,200 --> 00:20:34,200
I think you are now. I think that you just found your own strength, you know?

296
00:20:34,200 --> 00:20:38,200
And when it comes to Edward, you'll see him one day.

297
00:20:38,200 --> 00:20:41,200
And it will be a very interesting reunion.

298
00:20:43,200 --> 00:20:49,200
Final director's log. Sandy may have gotten the answer she's been looking for the last 40 years,

299
00:20:49,200 --> 00:20:51,200
but does it make letting go any easier?

300
00:20:51,200 --> 00:20:57,200
We've located Edward's grave. Perhaps a visit there will give Sandy some closure.

301
00:20:57,200 --> 00:20:59,200
Do you feel anything right now?

302
00:21:01,200 --> 00:21:03,200
I feel better.

303
00:21:03,200 --> 00:21:08,200
For Sandy, it's time to live in the present and leave the past behind.

304
00:21:21,200 --> 00:21:23,200
You